With over 270 costume changes, Emma Stone’s Cruella is a fashion feast There are big productions, and there are big productions, and for Jenny Beavan Cruella was one of the latter.

Emma Stone in Cruella. Image Credit: Disney

The Oscar-winning costume designer behind the clothes seen on screen in Mad Max: Fury Road – for which she won her second Oscar, and endured the withered looks of directors, including Alejandro Iñárritu, as she stepped onto the catwalk in its aged Mad Max-y leather. jacket – and Sense and Sensibility, among many other films in her 43-year career, thinks Cruella could be the greatest movie she’s ever worked on.

“It’s classy,” she said to herself. No wonder: with some 277 costumes for the main cast members, and 47 changes for star Emma Stone and 33 more for her antagonist Emma Thompson, and all of those costumes made in a build-up window of just 10 weeks, Beavan had his work cut out for him. her.

“Oddly enough, Mad Max wasn’t that many people, it’s just that we did thousands of reps,” Beavan recalls. “I would say Anna and the King or Alexander were bigger, in terms of amounts, but it was more complex.”

Beavan refers not only to the large number of costumes required, but also to the work that was done in those costumes: who veered from Dior-esque couture on Thompson’s character The Baroness, a dean of fashion overseeing a vast empire. dress, punk. the rock energy of young Cruella de Stone, then known as Estella, a scrappy design aspirant hoping to break into London’s stylistic scene.

Cruella is a super-successful Disney villainous origin story, a la Maleficent, and the story revolves around Estella’s anarchist attempts to dethrone the Baroness.

Naturally, she does this by showing up at several big parties in the kind of head-turning dress that doesn’t just make a scene, she makes quite a musical on Broadway.

One of these dresses, an ombré organza tailoring known as the Car Dress, was hand-sewn by the Beavan team from a base of some 393 yards of fabric and featuring an astonishing 5,060 fabric petals.

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“It’s full, isn’t it?” Beavan said smiling. “Absolutely full of looks, and that’s how it was written! I’m literally illustrating what this script told me to do. “

Beavan is “very fond” of these “photobomb moments,” as she calls them – “obviously,” she adds, “because they’re huge costumes.”

Including a red satin gown with a matching cascading cape, which Estella sets on fire in the middle of a party to upset the Baroness.

Beavan is also a particular fan of the film’s newest costume, which she cannot discuss for a variety of extremely spoiler-y reasons, but which she reveals is “rather wonderful.”

Stone is “the most charming person,” enthuses Beavan. “As soon as she starts trying on clothes, she owns them, sells them and finds ways to use them,” Beavan adds.

Meetings with the Oscar-winning actress were a joy, as the couple tried to understand Estella’s unique and stubborn stylistic spirit.

“She’ll wear anything and give him everything,” Beavan said.

“She is by no means conceited. She will try and enjoy.”

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